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8L USM lens LOCATION Santa Barbara, CA "If you're turning the page in an album, you're going to stop and look at this one for a while," says Tony Corbell. " As it happens, Smallwood mastered posing and lighting as a portrait painter before becoming a photographer. " L E F T TO R I G H T: © J OY M A R I E S M A L LW O O D ; © J C M A C A L I N O DESTINATION WEDDINGS GRA entrusted R DWH W INNE with telling the story of the happiest day of someone’s life, wedding photographers create images that have lifelong importance to the people who commission them.

That’s an argument for setting up video shots with a single plane of focus, making sure you have enough depth of field to cover any error and keeping the subject (or anything else you want sharp) as much as possible in the same plane. In general, video requires much more advance planning than still photography. It demands a way of thinking and working to which many interested still photographers will have to adapt. In that respect, DSLR video might be one of those cases in which photographers need to catch up with the technology, instead of the other way around!

The EOS 7D and Rebel T2i incorporate user feedback from the earlier EOS 5D Mark II, and thus have some features not found in the latter. For example, the EOS 7D offers the 60 fps frame rate frequently used to capture sequences that will be "played back" in slow motion. Vincent Laforet, who created the first short feature film made with the Canon EOS 5D Mark II, feels that each camera has its own strengths and weaknesses. He favors the 5D Mark II and the EOS-1D Mark IV for professional commercial video work, but suggests that the EOS 7D is a good choice if you’re just getting started in video, don’t have the budget for the full-frame 5D Mark II and/or need to shoot slow motion.

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Category: Art