Matching folio to their hit liberate, together with: Livin' at the side * Cryin' * Fever * Get a Grip * Amazin' * and extra.
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The excitement of the Flute story is that it possesses profound hidden meanings: it is a fairy tale emphasizing the moral struggle between good and evil; it is an allegory dealing with Freemasonry and its contemporary political struggles; it is a mythological story possessing archetypal significance. Mozart was a supreme musical dramatist who endowed Flute with his universally understood musical language: his music possesses a sublime power as it reaches deeply into the human soul and conscience.
Perhaps Mozart was composing in a new “Masonic style”: his low bass, Sarastro, and indeed, the Brotherhood’s ceremonial music, possess an unusual solemnity and depth; Mozart’s musical language is exalting Freemasonsry’s ideals and ideology. In the glorious final scene, Mozart combines two distinct liturgical idioms: a Kyrie from the Catholic Mass that was popular in his times with a Lutheran chorale. The underlying music seems holy and divine, commensurate with its text; the moving inscription inscribed on the pyramid; Der, welcher wandert diese Strasse voll Beschwerden “He who travels this road filled with hardships will be purified by fire, water, earth, and air.
T he Magic Flute possesses Mozart’s ingenious musical truthfulness: its noble music complements its story about man’s spiritual growth, and his progress toward wisdom and light. Mozart brilliantly used his music to truthfully portray character and circumstance: in Flute, he provided each character with a distinct and separate musical idiom; the Queen’s music lies in the ornamental, high coloratura; Papageno’s is almost folk-tunish; Tamino’s, Italian and classical; and Pamina’s, very German and romantic.